Sunday, 31 January 2016
Monday, 25 January 2016
Location Recce - Beaches
A main part of our opening sequence is the beach location, where the main protagonist goes to reflect on her past friendship. We looked at two different beach locations Hastings being our groups initial idea as its close to a town which could also be used in our sequence.
The whether on the day of the recce was perfect for what we want in our opening; grey sky and dry, by having the correct whether we can picture how the sequence would hopefully look. As a group we decided that Hastings wouldn't be right for our opening as there wasn't a promenade or flat walk way with benches close enough to the town. Consequently we looked at our plan B location: Pett level.
We preferred Pett level as a location for our film as it has a long walk way with a selection of benches looking out at the sea, the beach could also be used for other scenes in the opening as it has walls and fences along it. However by using Pett we will need to re-think how the main protagonist is going to get to the beach from her house as there are no houses just off the beach, this could be achieved with an elliptical jump cut to show that she's walked a considerable distance.
The whether on the day of the recce was perfect for what we want in our opening; grey sky and dry, by having the correct whether we can picture how the sequence would hopefully look. As a group we decided that Hastings wouldn't be right for our opening as there wasn't a promenade or flat walk way with benches close enough to the town. Consequently we looked at our plan B location: Pett level.
We preferred Pett level as a location for our film as it has a long walk way with a selection of benches looking out at the sea, the beach could also be used for other scenes in the opening as it has walls and fences along it. However by using Pett we will need to re-think how the main protagonist is going to get to the beach from her house as there are no houses just off the beach, this could be achieved with an elliptical jump cut to show that she's walked a considerable distance.
Audience
Gender:
-Primary female
-Secondary male
Age:
-16-25
Audience characteristics:
-Creative
-Ambiguous character (fairly alternative style)
-Neutral characteristics (Do not limit themselves to liking gender stereotypical things)
-Ambiguous sexuality (Spoken about in youth culture)
-Similar age to the characters (Able to relate)
Similar films that they may enjoy:
The above films may be interpreted as relatively controversial films in terms of their themes and content. Fish Tank for example revolves around a relationship between a fifteen year old girl and her mother's boyfriend, whereby they have a sexual relationship. This style of film is for acquired tastes only as not all audiences are comfortable with such taboo themes.
-In regards to our film, it is most likely suited to an audience that is open-minded to similar themes such as those listed above, as our film is suggestive of a lesbian relationship, drug and alcohol use and mild criminal activity.
-As the predominant focus of our film is the protagonist's disease, other types of audience may be enticed to watch it, despite the additional content.
Similar Film Openings
Quadrophenia (1979)
The use of this establishing beach shot is relevant to the theme of reflection and solitude that we aim to incorporate in one scene of our film opening. It is a highly effective shot for the reason that the character is surrounded by vast space, emphasizing the focus on this protagonist whilst contributing to the ambient of this particular film. In contrast to this opening's colour scheme, we aim to make use of a bleaker colour pallet to set the emotional tone effectively.
This tracking shot of the protagonist represents a youthful, adventurous scene, as the teenage boy is exploring back streets, despite their potential danger. In regard to our opening scene, it relates to how we would like to use street lamps and tracking shots of our main character to summarize her daring and enigmatic persona.
Submarine (2010)
This opening scene also incorporates a beach shot, of which displays more landscape than Quadrophenia; discarding character presence. The purpose of this scene is most likely to set the physical landscape of the film as opposed to introducing the character's persona. When filming our opening, we would like to incorporate the beach setting with our protagonist in view, and use the beach setting as an accessory to highlight her emotions.
Here, a simple bedroom panning shot is used to display the typical bedroom of a teenage boy from a working/middle class family. Similarly, we plan to take quick shots of our protagonist's home to identify her as a fairly normal teenager in terms of her family life, thus highlighting the predominant root of her misfortune as being her illness.
This tracking shot of the protagonist represents a youthful, adventurous scene, as the teenage boy is exploring back streets, despite their potential danger. In regard to our opening scene, it relates to how we would like to use street lamps and tracking shots of our main character to summarize her daring and enigmatic persona.
Submarine (2010)
This opening scene also incorporates a beach shot, of which displays more landscape than Quadrophenia; discarding character presence. The purpose of this scene is most likely to set the physical landscape of the film as opposed to introducing the character's persona. When filming our opening, we would like to incorporate the beach setting with our protagonist in view, and use the beach setting as an accessory to highlight her emotions.
Here, a simple bedroom panning shot is used to display the typical bedroom of a teenage boy from a working/middle class family. Similarly, we plan to take quick shots of our protagonist's home to identify her as a fairly normal teenager in terms of her family life, thus highlighting the predominant root of her misfortune as being her illness.
Monday, 4 January 2016
Thursday, 10 December 2015
Initial ideas
Here are some of our initial ideas for the opening for our film including shot and narrative ideas. From our initial ideas we concluded that we wanted a female protagonist and for her to be distanced from either her family or society. We also decided we wanted there to be an aspect of rebellion in our film however we have not yet chosen how this will be conveyed.
Friday, 4 December 2015
Textual analysis of the '(500) days of summer' opening
The opening title sequence for the romantic comedy '(500) days of summer' is made up of a series of split screens. The film either side of the screen shows the growing up of the two main characters Tom and Summer. The colour pallet and rough borders on the film clips portray a nostalgic feel as they look like home videos created by those with them as they grew up. The facial expressions of the children as they grow up suggest a content childhood, as well as setting the film as a warm and happy one.By seeing the characters from such a young age the audience can establish a strong relationship with them meaning they will sympathises with their feelings later on in the film.
As the 'home videos' are in colour we can assume that the main protagonists are reasonably young.Meaning the demographic will be of an age that can relate to a similar 'coloured' childhood. Similarly we can tell the characters are of a similar age to each other, the split screen creates a important comparison between the characters highlighting their differences. Which may eventually become relevant or critical later in the film.
The slow paced editing consists of simple cuts to achieve continuity editing with in the separate clips as well as a series of fade to black edits to introduce text.The use of the fade to black creates an almost sleepy effect as if we are growing up with the characters in a happy haze. In
contrast the non-diagetic music starts by the fast repetition of piano notes, constructing a quick paced opening. Adding to the excitement of growing up.
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